The Crossing
This piece is dedicated to the legendary David Lynch, whose passing on January 15, 2025, left an immeasurable impact on the world of film and art. Lynch has been a guiding influence in my creative journey, shaping the way I see storytelling and atmosphere. While watching a Twin Peaks marathon, I painted this as a farewell to him, focusing on Gordon Cole—the character he played with such charm and mystery. Season 3 elevated Gordon Cole to new heights, cementing him alongside Agent Cooper as one of my all-time favorite characters.
Even though I never met him, Lynch’s wisdom has given me more from afar than I can ever express. I will always be thankful for existing in a time where I could witness his films hit the big screen, where his television show came to life not once but twice, and where his artistry continuously pushed boundaries. There is so much he has left us with, and if I could, I would personally thank him for every bit of it.
The Guardian
This piece emerged while I was working on the Gordon Cole painting. I had just started rewatching Twin Peaks when I reached the scene where Agent Cooper gently places Laura Palmer’s hand back on the examination table. The humanity in that moment is so raw and delicate, and as I watched it unfold, I couldn’t help but feel that this gesture had to be Lynch’s idea—proof of the incredible, compassionate artist that he was.
This scene has always moved me, but never like it did this time. That’s why I reimagined it as an intertwining of two worlds, blending the moment with a vision of the Black Lodge—signifying the bond between Agent Cooper and Laura, a connection that transcends the limits of our reality.
The Duel of Destinies
This painting was completed in the Nazwa Desert (Dubai), a setting that felt like the perfect place to bring it to life. I originally started it in June of 2024, but when I planned a visit to the desert, I decided to put it on hold—wanting to finish it in an environment that truly reflected its essence.
I chose this particular scene from Dune: Part Two because it holds deep personal significance. When I saw the film in theaters, despite how incredible the entire movie was, this one moment stayed with me for days. I didn’t fully understand why at the time, but I’ve learned that when something lingers like that, the best way for me to process it is to draw or paint until it reveals its meaning to me.
The sun in this painting is the sunrise I witnessed after spending my first night in the desert—an unforgettable experience on its own. But being able to take that real-world beauty and weave it into my artwork… well, that’s what artists live for.
The Light of Tomorrow
I was inspired to paint something Superman-related, but I struggled to land on an idea—until the new trailer was released in November of 2024. Almost immediately, some fans were harshly tearing it apart before even seeing the film. That reminded me of how often actors face intense criticism over roles that haven’t even hit the big screen yet.
It didn’t take long after that to settle on the perfect subject: the great Christopher Reeve. As Superman, he embodied everything the character stands for—hope, kindness, and strength. And in times like these, he’s exactly the kind of Superman we could use right now.
All four paintings are mixed media, combining both digital and analog techniques. Each piece was initially drawn traditionally on paper using graphite, then enhanced with inks to create striking contrast. Charcoal was added to introduce a sense of fluidity, as ink can sometimes feel rigid in its expression.
The colors are rendered on canvas using the pouring paint technique, though not applied randomly. I begin by drawing a vector on the canvas, guiding the paint within this framework to maintain structure and prevent the piece from becoming too abstract or chaotic. Once the traditional work was completed, it was digitized and refined in Adobe CS, then finalized in Procreate.
The standard size for these pieces is 16x20, though they can also be reformatted to fit a 13x19 surface.
High Priestess is a mixed media art print inspired by a minor character in a post-apocalyptic dark fantasy story that has been in development for several years. Initially conceived as a simple sketch for the project, the artwork evolved into a fully realized piece influenced by the striking likeness of Barbara Steele. Its creation involved a combination of traditional and experimental techniques, including the use of malfunctioning scanners and printers, which introduced unique textures and details integral to the final composition. This art print, measuring 17x22 inches, marks a significant evolution in the artistic process, helping to refine a distinctive style that has become a defining element in recent works.
Feuer Hexe (German for "Fire Witch") is a 13x19-inch mixed media art print inspired by the film Witchfinder General. Originally conceived as a segment of a film poster, the piece evolved into a standalone work, rich with symbolism and thematic depth. The image explores the historical and cultural perceptions of individuals—particularly women—who defy societal norms and expectations. It reflects on the enduring struggle of those who resist conformity, much like artists who carve their own paths despite external pressures. Through its fiery tones and evocative composition, Feue Hexe stands as a tribute to the resilience and defiance of those who refuse to yield to the constraints of the world, embracing the freedom of forging their unique journeys.
Ephemera is a 13x19-inch mixed media art print inspired by the concept that humanity brushes with death continually, often without awareness. The piece explores the delicate balance required to navigate life: the tension between planning for the future, staying grounded in the lessons of the past, and remaining mindful that existence is rooted solely in the present moment. The artwork reflects this interplay through its layered textures and ethereal composition, embodying the fleeting nature of life. The central figure, inspired by the likeness of actress Vanessa Kirby, serves as a contemplative focal point, evoking both fragility and resilience in the face of life's impermanence.
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